Why Christopher Nolan Doesn’t Allow Any Chairs On Set

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Christopher Nolan And Matthew Mcconaughey On The Set Of Interstellar
Christopher Nolan And Matthew Mcconaughey On The Set Of Interstellar | ScreenRant

Christopher Nolan’s reasoning for not allowing chairs on his sets, including Tenet, is simpler than many would expect from the notoriously complex director. After years of big-budgeted cinema, every Nolan fan knows the lengths he’ll go to for his films. Indeed, it seems that with each new release, the Oscar-nominated director ups the ante to some degree, and those who have worked with him have often stated how incredibly focused he is while at work.

The results seem to prove that Nolan’s approach works, and with anticipation already very high for the upcoming release of Tenet, fans want to know just how big Nolan will go this time around. So far, we’ve learned that he crashed a real airplane for a major action sequence in the film. Of course, this being Nolan, there will certainly be much more to be captivated by when the film eventually does get released. The amount of focus, time, and consideration utilized to get this film, and each Nolan release, off the ground is staggering, and something that often is overlooked.

This being the case, it’s especially satisfying for Nolan fans to gain insight into just what the filmmaker’s process is like, and what it’s like to work for him. In a recent discussion between Hugh Jackman and Anne Hathaway for Variety‘s Actors on Actors issue, Hathaway revealed that there are no phones allowed on Nolan’s sets – something quite common with many high profile directors. However, there aren’t any chairs to be found on set, either. The reason? Well, Nolan feels that if there are chairs, people will sit and if people sit, then they aren’t working. As Hathaway explained:

“Chris also doesn’t allow chairs. I worked with him twice. He doesn’t allow chairs, and his reasoning is, if you have chairs, people will sit, and if they’re sitting, they’re not working. I mean, he has these incredible movies in terms of scope and ambition and technical prowess and emotion. It always arrives at the end under schedule and under budget. I think he’s onto something with the chair thing.”

So, what do you all think about this guys?